Saturday, June 15, 2013

Man Of Steel Worth the Wait

mansteel

Thursday night (well, technically Friday morning) I took my teenage daughter and my son to go see the midnight premiere of Man of Steel.

This Superman re-boot can be summed up in one word.

Epic.

Man of Steel was simply amazing. I can't really say anything bad about it.

To anybody that reads the comic books, you will love this movie. To anybody that does not read comic books, you will love this movie.

Superman quite simply, whether you are a fan or not, is the very essence of what a super hero should be. A really decent person that wants to do good and have incredible powers. I mention this because this movie really embodies that idea.

Directed by Zack Snyder, who also directed 300 and Watchmen, and produced by none other than uber-Batman trilogy director Christopher Nolan. The story, which Nolan also co-wrote (also with Batman-trilogy co-writer David Goyer) is a new and interesting take on the Superman origin. Including all of the elements of his origin that make him Superman, the new elements really bring a sense of what it would really be like if a person like Superman were to actually exist and how people would react to him. The story that Nolan and Goyer wrote is, not surprisingly, a very "human" superhuman story. Inasmuch as you could make a "realistic" movie about a character like Superman, the makers of this film nailed it.

henryHenry Cavill was just brilliant in the role. When I first heard last year that he would be playing this iconic role, I was a little put off. But then I remembered that when I first heard that Christian Bale was cast as Bruce Wayne/Batman in the film Batman Begins I was a little put off as well but once seeing the movie, he just fit. That is exactly how I feel about Cavill as Superman. He did a great job. For anybody that is a fan of Smallville, of which I am, he Cavill reminds me of an older Tom Welling.

amyloisAnd Amy Adams as Lois Lane? I was really not liking that idea when I first heard about it. But within the first minute of her showing up on-screen as Lane, I changed my mind. She was great. Even though she still didn't necessarily look like Lois Lane, she acted the part really well.

croweRussell Crowe as Jor-El. Again, brilliant. This might be blasphemy but I actually liked him as Jor-El more than Marlon Brando from the original Superman series.

zodIf I could change one thing about the movie, I would have picked a different actor to play the main villain, General Zod. Don't get me wrong, Michael Shannon actually did a great job of playing the arch-villain but I don't necessarily think he was perfect for the part. And they way the General was portrayed made up for the horrible job that Hollywood did of him in Superman and Superman 2.

kryptonThe movie starts off just like the original 1978 motion picture did, in Krypton. But it was not the Krypton you might be expecting. The way the movie portrayed Superman's home world was nothing like what I expected but it was super cool.

Actually, the way everything was portrayed was absolutely the coolest thing I could have imagined for this movie.

There were some elements of the movie that were based loosely on the J. Michael Straczysnki story, Superman: Earth One and there some elements taken from the DC New 52 Grant Morrison written Action Comics stories.

Everybody that was involved in this project just did a great job. I think creators Jerry Siegel and Jerry Shuster would be proud. I think DC creative director Geoff Johns would be proud.

I could say more about the film but I really don't want to reveal too much about it and ruin it for anybody.

I will say this though, the time I spent waiting to finally see this film (which has been about a year and a half) was definitely worth the wait.

Fugazi: Discography of the Moment

Fugazi was a post-hardcore/indie rock/punk rock band that formed in 1987 in Washington, D.C.

Web Links:

Fugazi page at Dischord Records
Fugazi Wikipedia article
Fugazi at Last.fm
Fugazi at MySpace
Fugazi on Facebook
Fugazi on Twitter

Discography:

Fugazi
Released in November 1988 by Dischord Records.
Produced by Ted Nicely and Fugazi.
Band lineup:
Ian MacKaey - vocals, guitar; Guy Picciotto - guitar, vocals; Joe Lally - bass; Bredan Canty - drums.
Tracks: 7
Waiting Room. Bulldog Front. Bad Mouth. Burning. Give Me the Cure. Suggestion. Glue Man.

Margin Walker
Released in June 1989 by Dichord.
Produced by John Loder.
No lineup changs.
Tracks: 6
Margin Walker. And the Same. Burning Too. Provisional. Lockdown. Promises.

3 Songs
Released in January 1990 by Dischord.
Produced by Ted Nicely.
No lineup changes.
Tracks: 3
Song #1. Joe #1. Break-In.

Repeater
Released in April 1990 by Dischord; Re-issued in May 1990 as Repeater + 3 Songs bundled with the 3 Songs EP.
Produced by Fugazi and Ted Nicely.
No lineup changes.
Tracks: 11
Turnover. Repeater. Brendan #1. Merchandise. Blueprint. Sieve-Fisted Find. Greed. Two Beats Off. Styrofoam. Reprovisional. Shut the Door.

Steady Diet of Nothing
Released in July 1991 by Dischord.
Produced by Fugazi.
No lineup changes.
Tracks: 11
Exit Only. Reclamation. Nice New Outfit. Stacks. Latin Roots. Steady Diet. Long Division. Runaway Return. Polish. Dear Justice Letter. KYEO.

In On The Kill Taker
Released in June 1993 by Dischord.
Produced by Ted Nicely and Fugazi.
No lineup changes.
Tracks: 12
Facet Squared. Public Witness Program. Returning the Screw. Smallpox Champion. Rend It. 23 Beats Off. Sweet and Low. Cassavetes. Great Cop. Walken's Syndrome. Instrument. Last Chance for a Slow Dance.

Red Medicine
Released in June 1995 by Dischord.
Produced by Fugazi.
No lineup changes.
Tracks: 13
Do You Like Me. Bed for the Scraping. Latest Disgrace. Birthday Pony. Forensic Scene. Combination Lock. Fell Destroyed. By You. Version. Target. Back to Base. Downed City. Long Distance Runner.

End Hits
Released in April 1998 by Dischord.
Produced by Fugazi.
No lineup changes.
Tracks: 13
Break. Place Position. Recap Modotti. No Surprise. Five Corporations. Caustic Acrostic. Closed Captioned. Floating Boy. Foreman's Dog. Arpreggiator. Guilford Fall. Pink Frosty. F/D.

Instrument Soundtrack
Soundtrack album released in March 1999 by Dischord for a documentary film of the same name.
Produced by Fugazi.
No lineup changes.
Tracks: 18
Pink Frosty. Lusty Scripps. Arpreggiator. Afterthought. Trio's. Turkish Disco. Me and Thumbelina. Floating Boy. Link Track. Little Debbie. HB. I'm So Tired. Rend It. Closed Captioned. Guilford Falls. Swingset. Shaken All Over. Slo Crostic.

The Argument
Released in October 2001 by Dischord.
Produced by Fugazi and Don Zientara.
No lineup changes.
Tracks: 11
Untitled Intro. Cashout. Full Disclosure. Epic Problem. Life and Limb. The Kill. Strangelight. Oh. Ex-Spectator. Nightshop. Argument.

Furniture
Released in October 2001 by Dischord.
Produced by Fugazi and Don Zientara.
No lineup changes.
Tracks: 3
Furniture. Number 5. Hello Morning.

Friday, June 14, 2013

Review: Trouble Is A Lonesome Town

imageThriftstore Masterpiece, the brainchild of Portland Oregon producer, Charles Normal is a revolving super-group of composed of indie-rock icons from bands such as the Pixies, The Dandy Warhols, Modest Mouse, and Art Brut, as well as solo artists Pete Yorn and the late Larry Norman.

Promoted as the first of a series of albums that pay homage to "underdog records of years past" this debut album, Trouble Is a Lonesome Town is a re-make of the 1963 Lee Hazlewood album of the same name.

Set to be released on July 9 by SideOneDummy Records, Trouble is a concept album about a small western town and various tales about some of its residents which makes listening to the album in its entirety seem like a stroll through a good story.

Musically, the album starts out with "Long Black Train" which sounds like a Spanish country tune like the songs Marty Robbins used to do. "We All Make the Flowers Grow" gives us a taste of folk music. The song "Run Boy Run" is reminescent of some of the early stuff that Johnny Cash did. Later in the album, Courtney Taylor-Taylor from the band The Dandy Warhols comes in and starts giving the album a completely different feel with "Look At That Woman" which has an almost Pink Floyd feel to it. The album closes with its most "country music" sounding song of all, "Trouble is a Lonesome Town" which is performed by the late contemporary Christian music pioneer Larry Norman.

Overall, the album has a varied music aesthetic and could appeal to fans of various genres.

This 10-song album is a perfect blend of country and indie-rock and if it was Charles Normal's intention to interest people in the album that this one pays homage to, his point is definitely made and I'm looking forward to seeing what else Mr. Normal has up his sleeve for next time around.

Thursday, June 13, 2013

Top 13 Superman Storylines

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Tonight the midnight release of the new Superman movie, Man of Steel, hits the theaters. I will taking my teenage daughter and my son to go see it (all 3 of us are nerds - lol).

To commemorate the release of this film, today's Top 13 list is a list of my top 13 favorite Superman-related storylines. Most of them are from the comic books but some venture off into other platforms.

Here they are, listed in chronological order by year of release:

1. Superman: The Movie

Released in 1978, the story for this movie was written by Mario Puzo. The film was directed by Richard Donner and starred Christopher Reeve in the iconic role.

2. Crisis on Infinite Earths

Comic book story release din 1985 and written by Marv Wolfman that encompassed not only Superman but the entire DC Comics universe.

3. Superman: Man of Steel

This storyline was written by John Byrne and came out in 1986. It is the Superman origin story by which all other Superman origin stories are measured.

4. Death of Superman

The tale of Superman's colossal battle with Doomsday that resulted, sort of, in his untimely end, came out in 1992.

5. Kingdom Come

One of the best graphic novels ever, Kingdom Come was set in a future world where Superman and the other major heroes of DC come out of retirement to combat an unusual threat. It was written by Mark Waid and Alex Ross and released in 1996.

6. Smallville

This television series first came out in 2001 and lasted until 2011. There were various writers on the show and starred Tom Welling as the role of Clark Kent.

7. Red Son

This comic book storyline was set in an alternate universe where Kal-El landed in Soviet Russia instead of Kansas. It came out in 2003 and was written by Mark Millar.

8. Birthright

Another origin story which was written by Mark Waid. It came out in 2003. While not as good as other Superman origin stories it still deserves a spot on the top 13 list.

9. Infinite Crisis

Another DC-wide crossover storyline, this one was written by Geoff Johns and came out in 2005.

10. Last Son

In another tale of Superman written by Geoff Johns, this 2006 story reveals that Superman might well have not been the Last Son of Krypton.

11. Secret Origins

Another Superman origin story. This one was another Geoff Johns Superman story. A better origin story than Birthright but probably not quite as good as Byrne's Man of Steel. This one came out in 2009.

12. Superman: Earth One

A very interesting take on the Superman mythos. This one you just have to read to figure it out. It was written by J. Michael Straczynski and came out in 2010.

13. Injustice: Gods Among Us

This was a video game that was just released recently and tells the story of how things would turn out if Superman decided that the governments of the world weren't doing a good enough job of stopping crime and takes over the world as a dictator.

Interview with Jason Smith

train

Jason Smith is the singer and guitar player for the local Oklahoma City rock band Traindodge.

I first heard the band Traindodge back in the late-90s when they opened up for Kansas City rockers Season to Risk when they played a show at Music Dimensions when they were located on Meridian in OKC.

I was drawn to them immediately.

I first met Jason at another Season to Risk show. The show was at the Green Door on Western in OKC (which is now the Conservatory). Traindodge was not playing that night but Jason was at the show and he had a chance to talk a bit.

Over the years, even with my moving to Seattle and back, Jason and I kept in touch and have run into each other at various local shows.

Traindodge has a new album about to be released at the end of the month. It is called Supernatural Disasters and from what I have heard from it, it is sure to be another great offering by the band.

I did an interview on my radio show last night (Otter Limits Radio).
The following is a slightly abridged version of that interview.

SL:  When did the band get together and how?

JS:  Rob and I are brothers so we’ve always sorta ended up playing together.  Growing up under the same roof and simultaneously getting into the same music probably didn’t hurt, either.  Our bass player, Chris Allen and Rob and I all played in a band called Fiver for three years prior to this.  That band gained a member and then lost a member.  The music changed significantly at that point so we just decided to start from scratch with a new name.  We played our first show as Traindodge in July of 1996.

SL:  What is the story behind the name Traindodge?

JS:  There really isn’t one.  Corey Feldman said it in the movie ‘Stand By Me.’ I checked the dictionary to see if it was a real word.  It wasn’t.  So I just assumed it hadn’t been taken as a band name.  That was all we needed, really – something fairly neutral that hadn’t been used yet.  If I had known that we’d still be a band in 2013, I might have chosen something different.  17 years in, I suppose we’re stuck with it.  We could have done way worse, though.

SL:  How would you describe the music of Traindodge?

JS:  I just tell people we’re a loud rock band.  Because it’s true.  Elaborate stylistic descriptions sort of annoy me.  Usually it hides the fact that a band doesn’t have good songs.  The easy answer I was giving five years ago was that we were a cross between Fugazi and Rush.  That probably isn’t accurate today but if that idea intrigues you, you might like us.  We’re loud, heavy, fairly proggy at times.  I shout a lot.  Beyond that, we’re just concerned with dynamics and songwriting.  That’s what I like as a fan.  Interesting descriptions don’t always translate into interesting songs.  Just give me some music that I’ll remember tomorrow.  Otherwise, I couldn’t care less if you have a trombonist or a triangle section or seven drummers.

SL:  Who are some of your influences and/or what bands first got you into wanting to play music?

JS:  For me, my first exposure to real loud rock music was Queen via the Flash Gordon soundtrack which I still worship.  After that, it was Van Halen that really blew my shit up.  I’m going to try my best and speak for the entire band here – collectively, I’d say the core common roots of the band would be Sabbath, Zeppelin, AC/DC, Van Halen, Rush, Pink Floyd, Thin Lizzy…we love all that old shit.  Really, though – it wasn’t until the late 80s/early 90s when we all sort of discovered underground music and got schooled in that ethic that we realized how feasible being in a band was.  Fugazi is a landmark band in our lives - massive.  They broke so many so-called rules.  They really opened my eyes in regard to what a band could get away with stylistically.  They were influenced from a lot different types of music and turned it into their own language like it was second nature.  Once you start following bands like that, you inevitably discover tons of music and labels that are doing cool and interesting things off of the radar.  And we were certainly paying attention.  Early on, we were very influenced by a lot of Kansas City bands, too.  Molly McGuire, Season To Risk, Giant’s Chair and bands like that were a big part of our early style.  But Fugazi was key.  They convinced me that we could do it.

SL:  What is the songwriting process like? Does the music get written first and then lyrics or vice versa?

JS:  Music first, lyrics last.  Always.  My priorities are the same as a listener so I guess that just carried over.  I barely know the words to my favorite songs.  I’ve tried to get better at it over the years.  I think our vocals and lyrics gradually improve with each record.  I really do put the time in.  It just takes me forever to get around to it.  I had months to write lyrics for the new record but I accomplished almost nothing.  I had to schedule the vocal session and buy a plane ticket before I could get serious about it.  Deadline fever, I guess.

SL:  How was the songwriting and recording process different on Supernatural Disasters than some of your other albums?

JS:  Very different this time.  Rob and his family moved to Atlanta about a year and a half ago.  So, we didn’t have the luxury of breaking the songs in as a unit every week like we were used to.  The entire album was demoed on Garageband and we would just email demos back and forth.  We’d listen to the songs a bunch and tweak things here and there.  Arrangements would get changed or Chris would add bass fills.  It actually ended up working out pretty well – knowing that full blown practice sessions were limited, it was important that the demos were complete and fully realized.  And Rob being in Atlanta was actually convenient because we recorded the album with our good friend Dan Dixon who was in a great Atlanta band called Dropsonic.  We’ve been friends with Dan for 10 years and had always talked about recording with him.  So, with Rob and Dan living in the same city, it seemed like the perfect time to work together.  They were able to get a lot of preliminary work out of the way before Chris and I had to show up.  Rob recorded all of the drum tracks without Chris or myself there which was a first for us.  On prior albums, we would set up like we would live and play along with Rob.  Usually we could get a lot of the bass and guitar recorded at the same time with the drums.  So, this was the first time that we captured each instrument separately.

SL:  How did you get involved with Little Mafia Records?

JS:  As with any mafia, I am adhering to the code of silence.  Though, Gianni Santillie booking local shows for us since 2000 might have had something to do with it.   

SL:  What are some of your favorite venues to play?

JS:  Man, I struggle with this mainly because the venue is such a small part of the equation.   It’s almost never about the room itself.  The first time we went to L.A., we played the Troubadour.  It was a trip playing such a legendary, historical place but there was next to nobody there.  As cool as that was, it’d be ridiculous of me to rank it as one of my favorites.  We’ve had better shows in basements.  There are dozens of clubs in the Midwest that we’ve had really incredible shows at over the years.  But we’ve had off-nights in most of those same rooms, too.  Again, it’s more about the bill and crowd than it is the venue.  Those essential variables change nightly.  Really, any show with cool, interesting bands and people up front having fun gets it right.       

SL:  What bands have you toured with and who are some of your favorites to play with?

JS:   We toured with Riddle of Steel from St. Louis a bunch.  They broke up a few years ago but we became really tight friends.  We did three tours with Dropsonic from Atlanta, too.  They were absolutely stellar.  I never saw them do a bad show.  Same situation – you spend that much time with a band who are solid people, you’re gonna have rad friends by the end of it.  Same goes with Roma 79 from San Francisco and Self-Evident from Minneapolis.  Disguised as Birds from Milwaukee is another one of our favorites, though we haven’t really done a full-blown tour with them yet.  And touring Japan with Balloons in 2005 was an incredible experience, too.

SL:   How would you describe the music scene in the Oklahoma City area?

JS:    As someone who has been going to shows in the area for 20+ years, in my opinion the scene has never been better than it is right now.  There are certain rooms and bands that I wish were still around but overall, there is just way more happening today than I can remember.  There were a few years in the 90s that were pretty dismal.  Little Mafia just released a really great box set of ten local 7”s – all the bands totally unique from each other.  It’s a really cool package and a really great snapshot of what’s happening right now.  There were barely enough bands with their shit together in the late 90s/early 00s to have put something like that together.  I’ve never seen the DIY circuit this vibrant.  We would have killed for this kind of network in town when we were 24, 25 years old.  I worry most of the newer bands aren’t realizing how good they have it.

SL:  What's next for Traindodge?

JS:   SUPERNATURAL DISASTERS will be available at the end of June!  Release show is on Saturday June 29th at the Conservatory in Oklahoma City.  Our friends Self-Evident and Found Footage are playing.  Don’t miss it!  After the release show, the album will be available through us at our shows and through our website – www.traindodge.com .  iTunes as well.  We’ll be doing a handful of shows in the Midwest throughout the summer.  We’ll evaluate our plans from there.  We’d really like to go to Europe on this album.  We’ll see what we can cook up.

Liberty in Crisis

The following is something that was written a little over 220 years ago.
The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by oath or affirmation, and particularly describing the place to be searched, and the persons to things to be seized.
Unless you've been living under a rock your entire life up until now, that is the 4th Amendment to the Constitution. It was included as part of the Bill Rights. The Bill of Rights was designed not to restrain the people of this country and tell them how to live and what they are allowed to do and how they are to behave. It was written to restrain the government and tell them what they are not allowed to do. It was a sort of Ten Commandments for the government. Thou shalt not violate free speech. Thou shalt not violate the right to own a gun. Thou shalt not perform searches on people without probably cause or written permission. It was by no means meant to be a list of suggestions for the federal government. They were, and are, requirements for the federal government to follow always.

Unfortunately, there are many in the current administration that do not believe so strongly in the Constitution.

Senator Lindsay Graham, for instance, seems to think that bloggers don’t have protection under the First Amendment. Wrong Mr. Graham! EVERYBODY has protection under the First Amendment. EVERYBODY! That even includes you.

Another example being the Attorney General, Eric Holder. He has been attacking the First Amendment rights of the press by illegally searching e-mail and phone records of various reports, not to mention the part he probably played by allowing the IRS to target conservative political groups.

Even Oklahoma's own Senator Tom Coburn has been saying that it is okay for the federal government to violate the Constitution by allowing the National Security Agency to conduct searches on the American people and their phone records because it is their right and that it is legal. Wrong Tom! It is NOT their right and it is NOT legal. The Constitution says it isn't. hat is particularly disturbing about this is that I once had a great deal of respect for Senator Coburn. This is a guy that has been said to carry a pocket Constitution wherever he goes and reads passages from it daily. Well, YOU’RE READING THE WRONG PARTS TOM! So as for any kind of respect that I once had for this man. Gone! Done! Zilch! None!

The Speaker of the House John Boehner has even come out and said that this Snowden guy that brought this NSA information to the forefront is a traitor. Time to wake up John, the only traitor is in the White House.

And then of course there is our Chief Executive that routinely violates the Constitution. His abuses of the Constitution go so far that I won’t get bother getting into specifics here. The man is a stain on this country’s history and definitely no friend of liberty.

This brings me to my point, if I had one in the first place. His most recent violation of the Constitution of course is allowing the National Security Agency to procure millions of American’s cell phone records.

Now, a lot of people are going to say that it isn’t Obama’s fault. They’re going to say that he isn’t to blame because his predecessor, George W. Bush was the one that authorized this to begin with. Okay, I can agree with that. George W. did start this and if he were still President he would be the target of my scorn but he isn't. Barack Obama is. And to try to tell me that it isn’t his fault is dead wrong.

Remember what President Truman said? The buck stops here. Well, Mr. "President", and I do use that term very loosely, the buck stops at you. It is your fault. Whether you initially authorized it or not, you are the President. It is within your power to stop it or continue it and you have chosen to continue it. So that buck stops with you. You wanted the job. You gotta take the blame that goes with all those lavish vacations you tend to enjoy so much.

And speaking of the President’s powers, it is not only within his power to stop these violations of the Constitution by the NSA, it is his OBLIGATION to do so. When he stood on the steps of the U.S. Capitol, he swore an oath to protect the Constitution. He has not lived up to that oath.

He is not only condemning the NSA for its unconstitutional wiretapping and collection of phone records, he is DEFENDING IT! He and others within our government, including Sen. Coburn, are defending by saying whatever the NSA is doing they are doing it for the sake of national security.

I’m all for national security and all folks don’t get me wrong but in this particular case, national security be damned! We are talking about a federal agency committing a crime against the people of the United States. We are not living in Soviet Russia people. We are not living in North Korea or China. We are living in the United States of America! We are living in a country not based on distrust of its citizens. We are living in a country based on liberty! As Thomas Jefferson said, the government should be afraid of its people, not the other way around.

Another Founding Father, Benjamin Franklin, once said that Any society that would give up a little liberty to gain a little security will deserve neither and lose both.

The idea of the NSA watching over us by monitoring our phone records is scary. If it doesn’t scare you people, it should. It violates everything that the Fourth Amendment was written to protect. We the people are supposed to feel safe in our homes and in our private lives. And if the government is the cause of you not feeling safe. There is a huge problem.

And even worse is that the person or people responsible for uncovering the truth about what is going on in our federal government are being treated as criminals! They are being hunted down with the same viciousness that our government had for the Rosenbergs. The truth is no longer revered anymore. We live in an empire of lies.

Our worst nightmares are coming true folks. We are on the dawn of fascist society. We are living in George Orwell’s 1984 and most people don’t’ even realize it.

And since the argument for the unconstitutional actions of the NSA is for the sake of national security, what has this illegal monitoring of phone records done exactly for national security. Can you guess? That’s right, nothing! Did searching through tons of phone records keep terrorists from bombing the Boston Marathon? Sure didn’t.

Our government isn’t targeting terrorists. They are targeting anybody and everybody. And then lying about it! Just a few months ago in a Congressional hearing, the Director of National Intelligence was asked by Sen. Ron Wyden point blank “Does the NSA collect any type of data at all on millions or hundreds of millions of Americans?” Director Clapper’s answer. No. He flat out lied! And then later said that the question couldn’t be answered with a simple yes or no and that he answered in the way he thought was most truthful. What’s so hard about saying yes or no? How hard a questions was it? Sir, does the NSA collect data on American citizens. Yes or No? Pretty simple question if you ask me.

On the light side of this issue is Kentucky Senator Rand Paul. Once again, he is bringing the principles of freedom to this crisis of liberty. Sen. Paul has announced that he is going to introduce a bill in Congress that essentially forces the federal government to adhere to the Fourth Amendment to ensure that the rights protected by this Amendment are not violated by any government entity. Sen. Paul aims to force Congress to do their duty and restrict the expansive law enforcement powers of the Executive Branch.

Isn’t a sad day we live in when a U.S. Senator has to come up with a law to tell the government to enforce something they should have been and should be enforcing already?

I commend Sen. Paul for what he is trying to do in that he is trying to further bring to the limelight the continued abuses of power by the federal government.

In addition to this legislation that he is bringing before Congress, Sen. Paul is also calling for Americans to join him in a class action lawsuit against the Executive Branch for their violations of the Constitution. He wants this administration to know, as we should want them to know, that we the people are not going to stand for this complete disregard for the Constitution.

Standing alongside Sen. Paul is the freshman Congressman from Michigan, Justin Amash. Rep. Amash has said that he is also planning on filing a lawsuit against the FBI and the NSA regarding not only these most recent abuses of power but also against the Patriot Act itself, claiming that the surveillances practices carried out by these agencies is illegal.

Additionally, the ACLU has filed a lawsuit against the federal government on the basis of the violation of the Constitution. This could very well end up being the most important lawsuit to finally come up against the Patriot Act and why this decade old law hasn’t been scraped by the Supreme Court already is beyond me.

Otter Limits Radio - 6.12.13



Just wrapped up the 2nd episode of Otter Limits Radio over at Common Ground Media, which is hosted by BlogTalkRadio.

I didn't have near the technical difficulties that I did in last week's show so this time it ran a bit smoother although there was a small glitch or two that may or may not have been recognized by the listeners.

The main political topic on tonight's show was the constant abuse of power particularly in the area of illegal wiretaps and illegal procurement of phone records by the NSA.

I also talked a bit about the new Superman movie that is coming out this week, Man of Steel.

I also talked (again) about this website's OKC Rock Battle Royale poll.

Later in the show, I had Jason Smith of the band Traindodge on as a special guest to talk about his band and their upcoming LP, Supernatural Disasters.

I even got a chance to take a few calls.

You can listen to the show at the following link:

Tuesday, June 11, 2013

Top 13 Danzig Songs

danzig_skull

Today's "13" list is a list of my top 13 favorite song by the band Danzig.

I have them listed below in alphabetical order.
  1. Am I Demon? from the album Danzig (1988)
  2. Going Down to Die from the album 4 (1994)
  3. How the Gods Kill from the album How the Gods Kill (1992)
  4. Long Way Back from Hell from the album Lucifuge (1990)
  5. Mother from the album Danzig (1988)
  6. Not of This World from the album Danzig (1988)
  7. Sacrifice from the album Blackaciddevil (1996)
  8. She Rides from the album Danzig (1988)
  9. Sistinas from the album How the Gods Kill (1992)
  10. Snakes of Christ from the album Lucifuge (1990)
  11. Tired of Being Alive from the album Lucifuge (1990)
  12. Twist of Cain from the album Danzig (1988)
  13. Until You Call on the Dark from the album 4 (1994)

Monday, June 10, 2013

Bill To Legalize Constitution To Be Introduced

"The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized."
These words were written over 200 years ago as the Fourth Amendment to the U.S. Constitution.

Today, the federal government, particularly the Executive Branch, looks to these words as just words. Words that mean nothing to them in their quest for absolute power.

The Fourth Amendment has been trampled on for years. The Patriot Act, for example, was a huge slap in the face to the Fourth Amendment. And now, with the Executive Branch ordering the National Security Agency to seize millions of records of phone calls, that slap has been taken yet another step further.

It has gotten so bad that the junior senator from Kentucky, Sen. Rand Paul, has announced that he is introducing a bill to force the federal government to follow the Fourth Amendment. Meant to guarantee the constitutional protections of the 4th Amendment are not violated by any government entity, this bill has yet again brought to the limelight the abuses of power by current and past executives.

The blatant disregard for the rights laid out in the Constitution has got to stop and, as Sen. Paul has stated "Congress must do more to restrict the Executive's expansive law enforcement powers..."

Personally, I find it a bit heartbreaking that a U.S. Senator has to come up with a bill to enforce a law that is already on the books.

Interestingly enough, Sen. Paul is also calling for Americans to join him in a class action lawsuit against the Executive Branch for violations against the Constitution. I'm all for it. This administration needs to know that the people will not stand for this complete disregard for the laws that this country was founded upon. I'm betting that Washington and Jefferson and Madison are spinning in their graves right now.

It is time that we let these men truly rest in peace and demand that our government follow their examples and their words.

Further Reading:

Sen. Rand Paul to Introduce Fourth Amendment Restoration Act.

Rand Paul to Introduce Fourth Amendment Restoration Act of 2013

Thursday, June 06, 2013

Otter Limits Hits the Airwaves!



You can close the book on The Otter Limits inaugural radio show!

Earlier this evening, at 10 p.m., I hosted the first episode of Otter Limits Radio over at Common Ground Media (hosted by BlogTalkRadio).

Although the first 20 minutes of the show were horrendous due to technical difficulties, once the bug was fixed things seemed to move along a little better and even got some callers.

For the first episode I started out talking about farm subsidies and the farming bills that are currently making their way through Congress. After that, I talked a little bit about the OKC Rock Battle Royale poll I've been running here on the Otter Limits.

After a break or two I started taking calls and ended up getting 2 people to call in where we discussed farm subsidies some more and got more general about politics and talked about government extortion via corporate welfare and income taxes. Also during the conversation with the callers I got to talk a little bit about my activism in local politics and the advantages of working within the system to enact change in Oklahoma.

At the end I did a little plug for a show that is happening on Tuesday the 25th at the Conservatory in Oklahoma City. Old school hardcore punk rock band MDC will be playing there.

You can listen to the show at the following link but keep in mind the first 20 minutes are really really choppy so listen to the first 20 minutes at your own risk:

Otter Limits Radio - 6/5/13 Broadcast.